Limited edition prints signed by Dean Chamberlain and Albert Hofmann

Albert Hofmann Dean Chamberlain Light Painting Psychedelic Art Limited Edition, signed by Dean Chamberlain and Albert Hofmann Recently, MAPS made available these special signed, numbered limited edition of prints from Dean Chamberlain's Psychedelic Pioneers series, his light painting portrait of Albert Hofmann. This portrait was made in 1997 at Albert's home in Switzerland and is signed by Albert and Dean.

This edition of prints was created to help fund MAPS-sponsored LSD and psilocybin research as well as to commemorate Albert's 100th birthday next year. 50% of the profits from the sale of these prints will go towards the research.

MAPS has already sold 50 smaller versions of these beautiful archival pigment prints. The prints were 11"x14" and printed on fine-art matte paper. The price started at $1000 for the first twenty, was $1500 for the next twenty, and was $2000 for the final ten.

MAPS is now offering 25 large versions of the print. The image size is 22" x 28", on 30" x 36" heavyweight fine-art archival paper. Pricing as folows:

Prints numbered 1-5 were offered at $4000 each. (sold out)
Prints numbered 6-15 are offered at $5000 each. (3 sold, 7 available)
Prints numbered 16-20 are offered at $6000 each.
Prints numbered 21-25 are offered at $7000 each.

Please visit our store catalog to purchase one of these prints. Click here to view more psychedelic art available for purchase - support MAPS-sponsored research around the world!

Recently Albert's signature on a single sheet of blotter acid art sold at auction for $3000.

Dean Chamberlain developed his light painting technique, which involves working with his camera and subject in completely dark spaces, in 1977. These images are created entirely in the camera, with no computer manipulation. Using extremely long exposures in sessions that often extend to four or five hours, he moves through the composition space with a flashlight and colored gels, illuminating each individual element, not so much photographing a moment but painting with light through time and space. Dean considers this portrait of Albert to be one of his best photographs.