19 December 2025

About InkTally’s Artwork:
When I Change The Way I Look At Life, Life Begins to Change & The Thoughts You Hold Onto Create Our Reality


By: Natalie Muir

MAPS Bulletin: Volume XXXIV

SHARED - Bulletin Headers

When I Change The Way I Look At Life, Life Begins To Change

Life Begins was one of the very first pieces I made while teaching myself digital art, working in Adobe Illustrator. At the time, I was obsessed with 60s psychedelic rock posters, Victor Moscoso, Peter Max, Rick Griffin, Marijke Koger, that whole era. I loved the energy, the freedom, the way those images felt alive. But every time I tried to consciously recreate that style, it just didn’t work. And I’m actually really glad it didn’t. It shouldn’t have.

So instead of trying to copy something external, I did the opposite. I closed my eyes and looked inward, back into my own mind, into the visions and recurring imagery I’d experienced myself during altered states, the same inner landscapes that inspired that psychedelic era in the first place. And there it was. The eye. An image that had followed me for years, again and again, the eye with rainbow beams shooting from it. That’s when this piece was born.

The words that accompany it, “When I change the way I look at life, life begins to change”, are an adaptation of a Wayne Dyer quote, but they also describe exactly what happened in that moment. I stopped approaching the work in the same way, and everything shifted. I wasn’t trying to be anyone else anymore. By changing how I looked at the problem, the problem dissolved, and my own visual language emerged.

The Thoughts We Hold Onto Create Our Reality

This is something my dad used to say to me when I was growing up. I think he was trying to teach me to believe in myself, to understand that whatever I chose to believe could become my truth, my version of reality. At the time, I didn’t fully grasp how deep that idea actually went.

Not long after, my mum gave me a book called Sophie’s World. It’s a novel that slowly introduces philosophy through the story of a young girl called Sophie, who begins receiving mysterious letters questioning the nature of existence, Who are you? Where does the world come from? Then it was revealed that Sophie herself wasn’t real,  that she was just a character inside someone else’s story, something in me cracked open. I was only thirteen, and it sent me into a spiral of fear and dread. If she wasn’t real, what did that mean about me? About reality itself?

For a while, that realisation destabilised me. But as I grew older and found my footing, I began to experience it differently. Instead of something terrifying, it became something powerful. Almost magical. I started to notice how closely my inner world and my outer experience were linked. When I clung to thoughts of fear, scarcity, or suffering, that was exactly what my life reflected back to me. And when I managed to shift my thinking toward hope, acceptance, trust, and joy, my experience of reality changed with it.

In this piece, the two eyes represent two options. Two ways of seeing. Two versions of reality that are always available to us. One shaped by fear and unconscious thought patterns, the other shaped by awareness and choice. The work isn’t saying one is easy or that we control everything, only that perception matters more than we’re taught to believe. And that the way we look at the world quietly determines the world we end up living in.


Natalie Muir

My name is Natalie, Artist statements and bios are supposed to be written in the third person, but that feels strange and impersonal to me, so I won’t be doing that.

I’m going to start with the truth: I’m scared. I live in fear. I always have.
Most of the art you see here or on social media is an attempt to release, hide from, quash, or diminish that fear. But as time goes on, I’m learning that a lot of my fear, although some of it comes from trauma, is my shadow. And rather than pretend it’s not a large part of who I am, or the driver behind my art and actions, I’m choosing to accept it. In fact, I’m embracing it.

Every time I create a piece of art, I’m making from a place I don’t know how to name. I’m often creating from emotions I also can’t name, especially not at the time of making it. It’s only afterwards, when I look at the end result, that I start to realise what was really going on inside me, what pain, longing, or lessons were begging to be seen, to surface…

Read Natalie’s full bio at inktally.co.uk/pages/about-inktally

Natalie Muir

 


Become a MAPS Member with a monthly donation

As a Member, you’re not just making a donation — you’re joining a community that is at the forefront of advancing research, changing policy, and evolving education around psychedelics. Join us in shaping a future where these life-changing tools are available to those who need them most.