7 February 2025
Music at MAPS
Connecting Our Community Inside and Out
By Kevin Cranford, Communications Officer
Sia Henry, J.D., Senior Policy Associate
Devon Phillips, Community and Partnerships Officer
MAPS Bulletin: Volume XXXIV

In the psychedelic ecosystem, where human connection is at the forefront, music is a profound bridge linking our internal community and the broader public. At MAPS, music is more than just played in the background; it is a vital element that enhances our cultural initiatives, fosters a sense of organizational unity, and amplifies our message to the world.
Connecting Outside Our Company: The Power of Shared Playlists
by Kevin Cranford
Music is a universal language that transcends cultural and linguistic barriers. When I came up with the idea of curating Spotify playlists for our monthly campaigns — such as Black History Month, Women’s History Month, and Asian History Month — I wanted to create an avenue for deeper engagement with diverse communities. These playlists are not merely compilations of songs; they are carefully crafted narratives that celebrate the richness of various cultures and histories through their musical heritage.
Our playlists serve several important purposes. First, they educate and inform our audience about the cultural significance and contributions of different groups which are often overlooked in the psychedelic music genre. By featuring artists and genres that highlight the experiences and stories of other communities, we foster a greater understanding and appreciation among listeners.
Second, these playlists act as a tool for building bridges. They invite our audience to explore and experience the beauty of diverse musical traditions, fostering a sense of connection and empathy. As listeners dive into these curated selections, they embark on a journey that enhances their awareness and broadens their cultural horizons.
Finally, our shared playlists help to amplify the voices of marginalized and lesser-known artists. By promoting their work, we contribute to a larger movement of recognition and celebration of diverse talents, supporting the growth and visibility of these artists in the global music scene.
Strengthening Internal Bonds: Music around the office at MAPS
Inside MAPS, music plays an equally significant role in creating a vibrant and cohesive workplace culture. I serve as the DJ during our weekly All Hands staff meetings. I bookend the gatherings with carefully selected musical pieces, to set the tone for the collaborative spirit that drives our mission forward.
Opening these meetings with music serves to energize and unify our staff. It creates an inviting atmosphere that encourages engagement and participation. Whether it’s a funky new psychedelic jam that came to me from the Spotify algorithm or a classic anthem that resonates with our older employees (that’s how I got the name DJ DadRock), the music we choose reflects our collective identity and aspirations.
Closing the meetings with music provides a moment of reflection and connection. It allows everyone to wind down, process the discussions, and leave with a sense of harmony and purpose.
Incorporating music into our meetings allows me to showcase the diverse musical influences within our team. It celebrates the varied tastes and backgrounds of our staff, highlighting the richness of our internal culture. This practice not only fosters inclusivity but also sparks conversations and connections among employees, strengthening our internal bonds.
Reflection on MAPS’ Black History Month Playlists
by Sia Henry
Black people influence everything. We created many of the American musical genres, including gospel, country, jazz, rock and roll, R&B, soul, and rap. And yet, “America’s love for [B]lack culture, but not [B]lack people has erased African Americans’ role in pioneering American music.”1 The same can be said for so many other aspects of our culture from clothes to food, dances, and language. MAPS’ Black History Month playlists are important because they allow an opportunity for us to highlight the breadth of diversity, innovation, and artistic genius within the Black community. Doing this in the psychedelic space is especially unique as, oftentimes, the music we hear at psychedelic-centric concerts and festivals, conference after-parties, and even psychedelic-assisted therapy playlists do not seem to be by us or for us.
Being from Brooklyn, New York, I grew up on rap music, a genre that requires an immense amount of creativity, wit, and humor. Rap has also historically been a powerful channel for communication, connection, validation, and reflection on the social, economic, and political state of our environments.
When we talk about being inclusive, especially when it comes to healing and wellness, it is important we design spaces that are genuinely for everyone, and that includes musically. Some may notice 2024’s Black History Month playlist was a little different from last year’s. In 2023 we largely selected more “mainstream” (read: “safe”) music by Black artists. I think this is reflective of how a lot of Black people enter predominantly white spaces: with caution and fear of being misunderstood, stereotyped, and demonized. But, in 2024, it felt important to create a playlist that was more reflective of the diversity of Black experiences, especially those of people who are often not in psychedelic conversations and are less likely to have access to meaningful and culturally appropriate mental health support.
Can some of the songs in the 2024 playlist be considered “violent” or otherwise problematic? Maybe. But they were also reflective of many people’s realities, particularly those living in heavily policed, urban areas. They also demonstrate a wealth of creativity, confidence, and resilience, all things Black folks have had to embody to survive throughout the centuries and still today.
This year, as we see major efforts, led by the Trump Administration, to dismantle DEI efforts and remove legal protections for historically oppressed and exploited communities, we chose to create a 2025 Black History Month playlist that focuses on Black resilience, resistance, and joy.
To put it simply, if we want to build a psychedelic movement truly meant to support healing for all people, we have to create space to honor and acknowledge the value, contributions, and needs of Black folks from the “hood.” Failing to do so perpetuates white supremacist practices of only deeming acceptable the Black people who make white people comfortable, something that often requires us to code switch and mute parts of ourselves, behaviors that are exhausting and harmful.
1. https://vincedixonportfolio.com/app/black-music-history/
Blending Beats and Psychedelics for a Transcendent Future
by Devon Phillips
Music is the bridge. It’s the creator, the expander, the provider, and the unifier. It is both the professor and the student. As with most Western concepts, Black usage of psychedelics—culturally, musically, and recreationally—has been overshadowed. Not only has this deprived our community of its history (a far too familiar story), but it has also created a gap in access to psychedelic education during this ‘re-emerging’ psychedelic era.
This brings us to the lessons we’ve learned through Black music: tools that change society are the ones that reach the basketball courts, the barbershops, and the spaces that mold us. Last December, we launched ‘Music is the Bridge,’ pairing artist-curated playlists with free psychedelic resources, such as our integration workbook and psychedelic fundamentals course. So far, over 2,500 new people have downloaded these resources and begun their journey into psychedelics. In addition to this Black history playlist, we will release new playlists curated by a range of Black artists to highlight their experiences and expand access to these resources by meeting people where they are.
Nobody buys a yearbook they can’t see themselves in. I’m a Black kid from Texas, shaped by the sounds of Otis Redding, Funkadelic, and Biggie—who, at some point, just happened to try acid. Music, for me, has always been a bridge, and we want to use that same bridge to expand the perception of psychedelics to what they truly are: a space that always has been—and still is—deeply meaningful for Black people and our communities.
Kevin Cranford
Kevin Cranford serves as Communications Officer for MAPS. Kevin earned his bachelor’s and master’s degrees from Morgan State University, the premier HBCU in Baltimore, Maryland. After an early career spent at ESPN and ID Discovery working as a production assistant, Kevin comes to MAPS after a decade in the legal services field, traveling the country’s courtrooms as a trial presentation consultant.
But drug policy has always been his passion.
While in Maryland Kevin spent years as a cannabis advocate and organizer in the DMV area, working with Maryland NORML, the National Cannabis Festival, and the Minority Cannabis Business Association. Now he is excited to bring his passion for communications and drug policy here to MAPS!
Outside of his professional life, Kevin enjoys hiking and ultimate frisbee, music, and his United Statues of America accounts. He lives in the suburbs of Connecticut with his wife and two sons.





